https://liu-hongrui.net/untitled-page-1
2024-04-23T17:01:37+00:00
always
0.5
https://freight.cargo.site/t/original/i/P1739854586728593774204973374698/DSCF8282.JPG
Untitled, 100x120cm, mix media on canvas, 2021
https://freight.cargo.site/t/original/i/J1739939084880621988157421411562/DSCF8284.JPG
https://freight.cargo.site/t/original/i/R1739939084899068732231130963178/DSCF8285.JPG
https://freight.cargo.site/t/original/i/D1739939084862175244083711859946/DSCF8283.JPG
https://liu-hongrui.net/火焰人
2024-04-27T18:19:00+00:00
always
0.5
https://freight.cargo.site/t/original/i/S1739925412670423388701631077610/3.jpg
Inner Being, oil on wood, 104x54cm, 2023
https://liu-hongrui.net/array
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/S1739925412670423388701631077610/3.jpg
https://freight.cargo.site/t/original/i/R1991700927982489993694081080554/Array.2024.Oil.1x1m.NFS.Hongrui.jpeg
https://liu-hongrui.net/giant-sunflower🌻
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/S1739925412670423388701631077610/3.jpg
https://freight.cargo.site/t/original/i/W1991688933817259547375072599274/GiantSunFlowers.2024-oil-1x1m.nfs.hongrui.jpeg
https://liu-hongrui.net/慾望和劇場
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/O1739852560741138902758628941034/DSCF8276.JPG
Desire, Oil on canvas, 150x125cm, 2023<br />
欲望，布面油畫，150x125厘米，2023年<br />
<div style="text-align: left"><span class="caption">Desire was an experimentation of freestyle technique and dauntless application of colour, freely transferring will to action. There was no distinct composition to start off with this piece, my emotions at the time was saturated and clouded by a separation. This painting was a release of uncertain emotions which consists of happiness and uncertainty, which manifests itself in meetings and separations. <br />
<br />
<br />「欲望」是一次自由风格技巧与大胆色彩应用的实验，自由地将意愿转化为行动。这件作品起初没有明确的构图，我的情感在当时因为一次分离而变得饱和且模糊。这幅画是对不确定情感的释放，包含了快乐与不确定性，这些情感在相遇与离别中得以体现。</span></div><br />
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https://freight.cargo.site/t/original/i/N1739852815066399446992217070826/hongruihenryliu-desire-2023-150x125cm-nfs.JPG
Desire, Oil on canvas, 150x125cm, 2023<br />
欲望，布面油畫，150x125厘米，2023年<br />
<div style="text-align: left"><span class="caption">Desire was an experimentation of freestyle technique and dauntless application of colour, freely transferring will to action. There was no distinct composition to start off with this piece, my emotions at the time was saturated and clouded by a separation. This painting was a release of uncertain emotions which consists of happiness and uncertainty, which manifests itself in meetings and separations. <br />
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<br />「欲望」是一次自由风格技巧与大胆色彩应用的实验，自由地将意愿转化为行动。这件作品起初没有明确的构图，我的情感在当时因为一次分离而变得饱和且模糊。这幅画是对不确定情感的释放，包含了快乐与不确定性，这些情感在相遇与离别中得以体现。</span></div><br />
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https://freight.cargo.site/t/original/i/V1739853397061174972528570555626/DSCF8278.JPG
https://freight.cargo.site/t/original/i/R1739853397098068460675989658858/DSCF8281.JPG
https://freight.cargo.site/t/original/i/I1739853397079621716602280107242/DSCF8279.JPG
https://freight.cargo.site/t/original/i/H1739853397042728228454861004010/DSCF8276.JPG
https://liu-hongrui.net/女人和樹
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/C1739851516231149217102687788266/hongruihenryliu-winterspassage-2023-90x160cm-oiloncanvas-nfs.jpg
Winters passage, Oil on canvas, 90x160cm, 2023<br />
冬日通道，布面油畫，90x160厘米 ，2023年<br />
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<span class="caption">2023 was the year in which I made the most paintings yet, I was inspired by the idea of a tree of life and the allergy of Babel. Based off that, I implemented my own experiences around winter time, reflecting on the role of the feminine in my life, meditating on the role of each that led me to the present. I used careful shading to create the effect of frost and depth. Klimt and the Art Deco style inspires me and with this piece I experimented with taking that style further and begin to develop may own language through layers of shading and geometric application of forms, <br />
<br />2023年是我创作画作数量最多的一年，灵感源自于生命之树和巴别塔的想法。基于这些启示，我结合了自己冬季的亲身体验，反思了女性在我的生活中的角色，并沉思了每个角色如何塑造了我现在的自我。我运用精心的阴影技巧，营造出霜冻效果和深度感。克林姆特和装饰艺术风格对我有很大的启发，通过这件作品，我尝试进一步发展这种风格，并开始通过层次分明的阴影和几何形式的运用，开发我的个人艺术语言。此作品的探索和实验，旨在为观者提供一种新的视觉和感性体验，展示我的艺术演变过程</span><br />
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https://liu-hongrui.net/吉他布萊德
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/T1739850780482761837197221584106/untitled2022-120x120cm.JPG
Untitled, 120x120cm, oil on canvas, 2022<br />無題，120x120釐米，布面油畫，2022年<br />
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<div style="text-align: left"><span class="caption"><br />What particularly formed this piece was my experience to the sea side town of Hastings, UK. I portrayed the view from the airbnb in which me my friends and my dog stayed in, contemplating this with the idea of spatial memories and reveries via G.Bachelard. the guitar is a symbol of play for me, beside painting, it is an activity that I like to partake in. The middle of the composition is a section of Hong Kong, it reminded me of loneliness as the interior and exterior of the space was segregated distinctly similar to that of a class segregation. The butterfly clock with sun and moon is a symbol of my constant fascination with time and memory. <br />
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这幅作品的灵感主要来源于我在英国黑斯廷斯海滨小镇的经历。我描绘了我和我的朋友们以及我的狗住在一家Airbnb中时的视角，通过加斯东·巴舍拉（G. Bachelard）关于空间记忆和遐想的理论来思考这一景象。吉他对我而言是娱乐的象征，除了绘画，它还是我喜欢参与的一种活动。作品的中心是香港的一个区域，它让我想起了孤独，因为空间的内部和外部被明显区分，这与阶级隔离有着惊人的相似。带有太阳和月亮的蝴蝶时钟是我对时间和记忆持续着迷的象征。</span></div><br />
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https://liu-hongrui.net/地鐵
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/H1739849857684389549876901993706/ghosttrain-2023-oiloncanvas-50x70cm.jpg
Ghost Train, 50x70cm, Oil on canvas, 2023<br />鬼火列車，50x70厘米，布面油畫，2023年<br />
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Whilst creating this piece, I was intrigued by the notion of psychogeography, it got me thinking that locations and places actually are alive and are filled with emotions and feelings, of the events that has happened there, a flow of life energy persists, transferred to the location by the people who had visited and passed by. In this scene, is the juxtaposition of a tube station and the riverside beside my university, the latter, a quite place to contemplate in, and the former, a busy intersection of life and activities, share the same substance of liminality.<br />
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<br />在创作这幅作品时，我对心理地理学的概念感到非常着迷，这使我开始思考地点和场所实际上是充满生命的，它们充斥着情感和感觉，是过去发生事件的情感载体，生命能量的流动在这些地方持续存在，这种能量是由曾经到访和经过这些地方的人们传递的。在这一场景中，地铁站和我大学旁的河畔并置，后者是一个适合沉思的安静场所，前者则是一个繁忙的生活和活动交汇点，两者共享着边缘性的本质。<br />
https://freight.cargo.site/t/original/i/A1739914351781315863569967504618/DSCF8304.JPG
https://freight.cargo.site/t/original/i/W1739914351799762607643677056234/DSCF8305.JPG
https://freight.cargo.site/t/original/i/P1739914351744422375422548401386/DSCF8302.JPG
https://freight.cargo.site/t/original/i/W1739914351762869119496257953002/DSCF8303.JPG
https://freight.cargo.site/t/original/i/B1739914351818209351717386607850/DSCF8306.JPG
https://liu-hongrui.net/紅色燈光
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/N1739848685430697153782315900138/1-19.jpg
Untitled, 100x100cm, oil on canvas, 2021<br />
無題，100x100公分，布面油畫，2021年<br />
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One of my earliest paintings, was inspired part of my fascination with light and shadows. I am particularly inspired by the interconnectivity and the aspect of necessity involved within the two. Light must exists for the shadow to spawn, and shadow would not exist if not for light. Much like the relationships between people, most of us are dependent on another living being in someway. And that set of relationship can be seen in the way forms I create in this painting, one form consists of many, they are distinct yet dependent on each other, forming a complete whole only when composited together. <br />
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我的早期画作之一，灵感来源于我对光与影的迷恋。我特别被其中的相互连通性和必然性所吸引。光的存在是为了产生阴影，如果没有光，阴影也就不存在。这与人与人之间的关系非常相似，我们大多数人在某种程度上都依赖于其他生命。这种关系在我这幅画中所创造的形式中得以体现，一个形态包含了许多部分，它们既独立又相互依赖，只有组合在一起时才能形成一个完整的整体。<br />
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https://liu-hongrui.net/倒立小樹
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/T1739847884233261800355360562410/hongruihenryliu-inthewoods-2023-50x70cm-oilonlinen-3500.jpg
<h2>In the woods, 50x70cm, oil on linen, 2023<br />
在林中，50x70厘米，亚麻布油画，2023年<br />
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"In the Woods" articulates a complex inquiry into the concept of identity, inspired by an introspective visit to a park coupled with a fascination for the interplay of light and shadows. This piece delves into the essence of identity: what elements construct it? What aspects remain untouched by it? Moreover, it questions the fundamental necessity of identity for an individual. Within the context of the forest, there is an overt appearance of homogeneity and harmony, prompting an examination of the authenticity of this uniformity. The work probes whether, beneath this surface of apparent conformity, there exists a chaos analogous to that found in societal structures, challenging us to reconsider our perceptions of order and identity.<br />
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《林中》深入探讨了身份的复杂概念，灵感来源于一次内省的公园之旅以及对光与影交错的迷恋。此作品探究身份的本质：构成身份的要素有哪些？哪些方面未被身份触及？更进一步，它质疑了身份对个体的根本必要性。在森林的背景下，表面上显现出一种同质性和和谐，促使人们审视这种一致性的真实性。该作品探讨，在这种表面的一致性之下，是否存在着类似于社会结构中发现的混乱，挑战我们重新思考关于秩序和身份的看法。<br />
</h2>
https://freight.cargo.site/t/original/i/V1739932297677841227833547578602/hongruihenryliu-inthewoods-2023-50x70cm-oilonlinen-3500.jpg
<h2>In the woods, 50x70cm, oil on linen, 2023<br />
在林中，50x70厘米，亚麻布油画，2023年<br />
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<br />
"In the Woods" articulates a complex inquiry into the concept of identity, inspired by an introspective visit to a park coupled with a fascination for the interplay of light and shadows. This piece delves into the essence of identity: what elements construct it? What aspects remain untouched by it? Moreover, it questions the fundamental necessity of identity for an individual. Within the context of the forest, there is an overt appearance of homogeneity and harmony, prompting an examination of the authenticity of this uniformity. The work probes whether, beneath this surface of apparent conformity, there exists a chaos analogous to that found in societal structures, challenging us to reconsider our perceptions of order and identity.<br />
<br />
《林中》深入探讨了身份的复杂概念，灵感来源于一次内省的公园之旅以及对光与影交错的迷恋。此作品探究身份的本质：构成身份的要素有哪些？哪些方面未被身份触及？更进一步，它质疑了身份对个体的根本必要性。在森林的背景下，表面上显现出一种同质性和和谐，促使人们审视这种一致性的真实性。该作品探讨，在这种表面的一致性之下，是否存在着类似于社会结构中发现的混乱，挑战我们重新思考关于秩序和身份的看法。<br />
</h2>
https://liu-hongrui.net/繁花
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/A1739846619819636012007854595306/hongruihenryliu-desire-2023-150x125cm-nfs.JPG
https://freight.cargo.site/t/original/i/G1739879520233327515572996037866/4.jpg
https://freight.cargo.site/t/original/i/X1739880880053513653146302962922/DSCF8289.JPG
https://freight.cargo.site/t/original/i/W1739880880090407141293722066154/DSCF8291.JPG
https://freight.cargo.site/t/original/i/O1739880880071960397220012514538/DSCF8290.JPG
https://freight.cargo.site/t/original/i/I1739880880035066909072593411306/DSCF8288.JPG
https://liu-hongrui.net/藍色小貓
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/L1739844494109082678087674125546/untitled-2022.jpeg
https://freight.cargo.site/t/original/i/A1739877486516686877242349477098/untitled-2022.jpeg
https://liu-hongrui.net/winters-passage
2026-03-16T09:32:33+00:00
always
0.5
https://freight.cargo.site/t/original/i/H1739821375118329747159696170218/DSCF8246.JPG
https://freight.cargo.site/t/original/i/N1739934965353735447340354526442/Screenshot-2024-04-23-at-14.48.33.png
https://freight.cargo.site/t/original/i/H1739934965316841959192935423210/Screenshot-2024-04-23-at-14.48.00.png
https://freight.cargo.site/t/original/i/L1739934965298395215119225871594/Screenshot-2024-04-23-at-14.47.44.png
https://freight.cargo.site/t/original/i/B1739934965335288703266644974826/Screenshot-2024-04-23-at-14.48.19.png
https://liu-hongrui.net/春天大廈
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/A1739774493105648039882164690154/hongruihenryliu-stakehouse-20233-80x100-oiloncavas-nfs.jpeg
https://freight.cargo.site/t/original/i/F1739777454859536282466643500266/6.jpeg
https://liu-hongrui.net/小馬海邊-1
2024-09-28T15:55:47+00:00
always
0.5
https://freight.cargo.site/t/original/i/R1739602020641798129928233442538/hongruihenryliu-commonground-2023-oiloncanvas-120x160-nfs.jpg
<h2>Common Ground, Oil on Canvas, 120x160, 2023<br />
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This painting embodies a symbolic treatment of my reflections on the progression of time, technology, humanity, and their interconnectedness with nature. The composition is spatially arranged in a dreamlike manner, thereby facilitating a nuanced critique of the relationships among people, technology, and the natural world. It symbolises the arrival and departure, the here and the beyond, the past and the present. The vessel of hope, seemingly unable to contain all life, anchors its aspirations to the illusory crescent moon.<br />
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</h2><h2>共同基础，布面油畫，120x160厘米，2023年<br />
<br />這幅畫包含了一些自己對時間的推進，科技，人類，自然的相連的關係的符號化處理。構圖被夢境式的空間化，從而進一度評論人，科技，自然的關係，彼岸和此案的象徵到來和離去，過去與現在。抱著希望的船隻似乎裝不下所有的生命，它把希望繫在虛幻不實的彎月上</h2><br />
https://freight.cargo.site/t/original/i/H1739770513017699952235598470378/DSCF8311.JPG
https://freight.cargo.site/t/original/i/T1739770512999253208161888918762/DSCF8310.JPG
https://freight.cargo.site/t/original/i/O1739770513036146696309308021994/DSCF8313.JPG
https://freight.cargo.site/t/original/i/B1739770513073040184456727125226/DSCF8316.JPG
https://freight.cargo.site/t/original/i/I1739770513054593440383017573610/DSCF8315.JPG
https://freight.cargo.site/t/original/i/W1739770513091486928530436676842/DSCF8317.JPG
https://freight.cargo.site/t/original/i/K1739921791629901951737777511658/-.JPG
<h2>Common Ground, Oil on Canvas, 120x160, 2023<br />
<br />
This painting embodies a symbolic treatment of my reflections on the progression of time, technology, humanity, and their interconnectedness with nature. The composition is spatially arranged in a dreamlike manner, thereby facilitating a nuanced critique of the relationships among people, technology, and the natural world. It symbolises the arrival and departure, the here and the beyond, the past and the present. The vessel of hope, seemingly unable to contain all life, anchors its aspirations to the illusory crescent moon.<br />
<br />
</h2><h2>共同基础，布面油畫，120x160厘米，2023年<br />
<br />這幅畫包含了一些自己對時間的推進，科技，人類，自然的相連的關係的符號化處理。構圖被夢境式的空間化，從而進一度評論人，科技，自然的關係，彼岸和此案的象徵到來和離去，過去與現在。抱著希望的船隻似乎裝不下所有的生命，它把希望繫在虛幻不實的彎月上</h2><br />
https://liu-hongrui.net/stakehouse
2026-03-16T09:32:33+00:00
always
0.5
https://freight.cargo.site/t/original/i/K1739627517085820768690642771178/-.JPG
Stake House, 2021, 80x100cm, Oil on Canvas<br />抉擇之屋，2021年，80x100厘米，布面油畫<br />
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Stakehouse is a repositioning and transformation of the intimate space which is the diner. It is produced in a dreamlike manner, using selective aquatic tones to represent an uncanny dream. I was also influenced by G.Batailles remarks on a society of consumption and loss. I observed that, to eat, interestingly, is to conserve and expend in the same time. On one hand, we are nurtured by the food, but, lives are lost, (animal, Plantae) the painting is a dream scene with wild species being served on a rotating sushi belt. It is a comment on choices and decisions. Will you take what’s offered or not? Are you willing to bare the consequences of overt consumption? <br />
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《抉擇之wu zi》是對親密空間——即餐館的重新定位和轉變。作品以夢幻般的方式創作，選用特定的水生色調來呈現一場詭異的夢境。我同時受到喬治·巴塔伊關於消耗與損失社會的評論的影響。有趣的是，我觀察到進食既是保存也是消耗的行為。一方面，我們通過食物獲得滋養，但另一方面，生命被奪走（動物、植物）。畫作呈現了一個夢境場景，野生物種在旋轉壽司帶上被供應，這是對選擇和決策的評論。你會接受所提供的還是拒絕？你願意承擔過度消耗的後果嗎？<br />
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https://freight.cargo.site/t/original/i/A1739774493105648039882164690154/hongruihenryliu-stakehouse-20233-80x100-oiloncavas-nfs.jpeg
Stake House, 2021, 80x100cm, Oil on Canvas<br />抉擇之屋，2021年，80x100厘米，布面油畫<br />
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Stakehouse is a repositioning and transformation of the intimate space which is the diner. It is produced in a dreamlike manner, using selective aquatic tones to represent an uncanny dream. I was also influenced by G.Batailles remarks on a society of consumption and loss. I observed that, to eat, interestingly, is to conserve and expend in the same time. On one hand, we are nurtured by the food, but, lives are lost, (animal, Plantae) the painting is a dream scene with wild species being served on a rotating sushi belt. It is a comment on choices and decisions. Will you take what’s offered or not? Are you willing to bare the consequences of overt consumption? <br />
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《抉擇之wu zi》是對親密空間——即餐館的重新定位和轉變。作品以夢幻般的方式創作，選用特定的水生色調來呈現一場詭異的夢境。我同時受到喬治·巴塔伊關於消耗與損失社會的評論的影響。有趣的是，我觀察到進食既是保存也是消耗的行為。一方面，我們通過食物獲得滋養，但另一方面，生命被奪走（動物、植物）。畫作呈現了一個夢境場景，野生物種在旋轉壽司帶上被供應，這是對選擇和決策的評論。你會接受所提供的還是拒絕？你願意承擔過度消耗的後果嗎？<br />
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https://liu-hongrui.net/info
2026-03-29T13:26:44+00:00
always
0.5
https://freight.cargo.site/t/original/i/C1733653718227668606488095120618/1.jpeg
https://freight.cargo.site/t/original/i/A2843566088114650001559632108778/DSCF8594.JPG
https://liu-hongrui.net
2026-03-17T03:30:37+00:00
always
0.5
https://freight.cargo.site/t/original/i/O1733617894890485135497081019626/6.jpeg
<i>登高 ｜ Path of Many Mountains</i>, <br />
oil and oil stick on linen, 170x170cm, 2026
https://freight.cargo.site/t/original/i/W1739581854181561404729958489322/hongruihenryliu-inthewoods-2023-50x70cm-oilonlinen-3500.jpg
<i>登高 ｜ Path of Many Mountains</i>, <br />
oil and oil stick on linen, 170x170cm, 2026
https://freight.cargo.site/t/original/i/Z2287853877910556020170863303914/The-Onlooker.2025.png
The Onlooker, 2025, 150x200cm
https://freight.cargo.site/t/original/i/J2287854378702764133237770575082/beachbythecity.png
The Beach by The City, 2025, 90x90cm
https://freight.cargo.site/t/original/i/Y2287855710613026487288525905130/moderneducation.png
Modern Education, 2025, 90x90cm
https://freight.cargo.site/t/original/i/F2339299812843642255012244643050/White-Landscape-120x150cm-.png
White Landscape, 120x150cm, 2025
https://freight.cargo.site/t/original/i/G2339300301073617653882947263722/Dejection.png
Dejection, 110x100cm, 2025
https://freight.cargo.site/t/original/i/W2348433152391652054749249428714/backedbymountains-facingthesea.png
Backed by Mountains, Facing The Sea, 120x120cm, 2025
https://freight.cargo.site/t/original/i/H2493424042494394147360028122346/IMG_2333.jpeg
The Window, 70x70cm, 2025
https://freight.cargo.site/t/original/i/L2729571369752607226771870997738/city-view-110x130-2025.jpg
City View, 110x130cm, 2025
https://freight.cargo.site/t/original/i/S2729572798268468294839548140778/urban-valley130x150.jpg
Urban Valley, 120x150cm, 2025
https://freight.cargo.site/t/original/i/A2729573294578117597995034369258/CityEchoes2025.jpg
City Echoes, 150x150cm, 2025
https://freight.cargo.site/t/original/i/J2729576616264876206800284310762/hongrui0331-2.jpg
The Dust of Worlds, 180x200cm, 2025
https://freight.cargo.site/t/original/i/T2729581401387182415205392604394/CItyDweller.jpeg
City Dweller, 2025, 90x90cm
https://freight.cargo.site/t/original/i/P2818860731438786932185396567274/IMG_8880-2.jpg
<i>Blue Space,</i> oil and oil stick on canvas, 150x150cm, 2026
https://freight.cargo.site/t/original/i/Z2818861402051720987822436015338/IMG_9276.jpeg
<i>登高 ｜ Path of Many Mountains</i>, <br />
oil and oil stick on linen, 170x170cm, 2026
https://liu-hongrui.net/untitled-set
2024-09-28T15:55:47+00:00
always
0.5
https://liu-hongrui.net/hongrui-liu
2026-03-22T16:08:04+00:00
always
0.5
https://freight.cargo.site/t/original/i/Y1733610964891458500587568127210/untitled-2022.jpeg
https://freight.cargo.site/t/original/i/Y1733620822019834751728731446506/hongrui.hotglue.me-32.jpeg